All Good presents:
The Infamous Stringdusters
The Brothers Comatose
Fri, January 27
Doors: 7:00 pm
The Infamous Stringdusters - (Set time: 9:15 PM)
Tradition and innovation provide the interlocking roots of bluegrass and its descendents, a lively dance of elements skipping comfortably from ancient jigs to radio ditties to spacious experimentation. THE INFAMOUS STRINGDUSTERS joyously embody and carry forward the spirit of Bill Monroe, John Hartford, Earl Scruggs, David Bromberg and other originators in their skilled embrace of this music’s twin gravitational pulls, moving dexterously between homespun legacy and creative expansion, a band firmly grounded in what has come before as they grow strong into tomorrow.
“What we do is a hybrid of the improvisational and bluegrass worlds. We take a lot of pride in that. While our music is our own concept, hopefully it does justice to the amazing components of the bluegrass world,” says Stringdusters Chris Pandolfi. “We love to present what we do but we always call on the bluegrass world of chops, technique, and traditions.”
GRAMMY-nominated The Infamous Stringdusters - Andy Hall (Dobro), Andy Falco (guitar), Jeremy Garrett (fiddle), Travis Book (double bass), and Pandolfi (banjo) – are as comfortable at a dirt road pickin’ session as they are on an amphitheatre stage, a collection of talents that can whisper and roar as the circumstance demands, responding in real time to their surroundings, working the angles as they ply their craft and raise their sinewy voices with limber grace.
Equal parts old school cats and modern operators, the Stringdusters’ latest album, Ladies & Gentlemen (arriving February 5th on Compass Records) spotlights the band’s gift for incorporating guests into their world by rolling out the red carpet for an eclectic array of female singers lending their pipes to a dozen original Stringdusters compositions.
Highlighting the group’s instrumental and compositional prowess, the new set opens up fresh spaces including the drum-boosted contemporary country bounce of “Listen” with airwave vet Joan Osborne, the classic Dolly Parton feel “See How Far You’ve Come” with Sara Watkins (Nickel Creek, Watkins Family Hour), the slow jam slink of “Have A Little Faith” with nu-soul belter Joss Stone, the contemporary folk breeze of “I Believe” with Lee Ann Womack, the rousing Americana soar of “Old Whiskey Bottle” with Celia Woodsmith, or the exhilarating style stew of “Hazosphere” with Jennifer Hartswick (Trey Anastasio Band). Elsewhere Mary Chapin Carpenter, Aofie O'Donovan (Crooked Still, Sometymes Why, The Goat Rodeo Sessions), Celia Woodsmith (Della Mae), Sarah Jarosz, Nicki Bluhm, Claire Lynch and Abigail Washburn weave their voices into one of the group’s strongest song cycles to date.
“Something unifying carries across the different tracks despite the diversity. All of the ladies really brought something special, often melodically, to each song,” says Andy Falco. "They took liberties with what we gave them, which is wonderful. They adapted the material and made it their own, so the finished track was truly a merger of the Stringdusters and each unique collaborator.”
“The lineup crosses all these interesting lines, from genres to relationships to different generations. It brings all these different things together,” says Pandolfi. “It has us playing with people that are new to us, playing with people from our scene, and playing with legends. When making a new Stringdusters album the challenge is finding the mojo - the heart of the matter - and this project has so much heart and mojo coming from all sorts of directions.”
Ladies & Gentlemen, the Stringdusters’ sixth full-length studio release, follows on the heels of Undercover, an EP of inspired cover tunes that reflect the variety of interests and influences in the Stringdusters, tapping the catalogs of Pink Floyd, Tom Petty, Bob Dylan, Johnny Cash and The Highwaymen. It’s another sign of the band’s desire to stretch and innovate even as they fully understand and honor the legacies they engage.
“It’s a challenge we’ve embraced over the years. We’re a band that’s all about original music AND our own approach to old songs,” says Pandolfi. “It’s always been our thing to find a new way to do this.”
A resounding feeling of rock-ribbed authenticity and charming sincerity infuses every aspect of what the Stringdusters do.
“You can’t fool an audience,” says Falco. “There’s a yearning for real stuff in our time right now. Pop music is so perfect today but it’s sterile and the feeling inside it is being lost. When I listen to The Band, the background vocals aren’t perfectly lined up but it’s perfect in its imperfections. That’s what you want to hear. That’s where something grand unfolds. That’s grandma’s spaghetti and meatballs. When you’re younger you think you want the Spaghetti-Os but really you want what grandma is cooking up. As we grow as a band, we reach for more of those home cooked moments in the studio, in concert, in everything we do.”
Preorder Ladies & Gentlemen now at www.thestringdusters.com
The Brothers Comatose - (Set time: 8:00 PM)
Whether traveling to gigs on horseback or by tour bus, Americana mavens The Brothers Comatose forge their own path with raucous West Coast renderings of traditional bluegrass, country and rock ‘n’ roll music. The five-piece string band is anything but a traditional acoustic outfit with their fierce musicianship and rowdy live shows reminiscent of stadium rock concerts. In fall 2017, “Campfire Caravan” featuring The Brothers Comatose, Mipso, and The Lil Smokies hosts three of today’s foremost emerging indie Americana bands as they trek across the United States to more than 30 cities. “Campfire Caravan” honors the musicians’ early days playing music, when they’d perform for friends and family in basements, living rooms, and around campfires. “Campfire Caravan” celebrates the American tradition of gathering communities around music.
Following three critically acclaimed full-length studio albums (Songs From The Stoop, Respect The Van, City Painted Gold), the five-piece string band disrupts the traditional album cycle and focuses their 2017/2018 release schedule on a series of strategically released songs. On Sept. 8, 2017, The Brothers Comatose releases a sun-soaked new single “Don’t Make Me Get Up And Go” produced by indie-rock legend John Vanderslice. Channeling harmony vanguards The Beach Boys, “Don’t Make Me Get Up And Go” is a nod to the delicate dance between two friends and trusting fate to either bring them romantically together or not. With lyrics written by the band’s tour manager Joe Pacini, lead singer Ben Morrison lends his crooning baritone to the fast-paced, feel good song.
“Going into the studio with Vanderslice was all about capturing the moment on analog tape,” says Ben. “We set out to record in a way we’ve never previously attempted. We did it live with all of us playing in the same room as if we were performing on stage. Vanderslice really understood the sonic landscape we were going for. He’s really a super producer, being a musician who has cut a lot of records of his own and produced albums by many great artists.”
The Brothers Comatose entered Vanderslice’s Tiny Telephone (San Francisco) studio with drafts of “Don’t Make Me Get Up And Go.” After working out the verses and chorus in the studio, bassist Gio Benedetti came up with the three-part harmony bridge. Vanderslice had the trio of Ben, his brother Alex Morrison, and Gio, head into the studio’s echo chamber with its five-second delay, and the boys did what they do best. They sang their hearts out, and the result is sublime.
The Brothers Comatose is comprised of brothers Ben Morrison (guitar, vocals) and Alex Morrison (banjo, vocals), Gio Benedetti (bass, vocals), Philip Brezina (violin), and Ryan Avellone (mandolin). When they’re not headlining The Fillmore for a sold-out show or appearing at Hardly Strictly Bluegrass Festival, the band is out on the road performing across America, Canada, Australia, and hosting their very own music festival, Comatopia. In 2018, The Brothers Comatose will travel to Asia for a month of cultural music exchange and education with American Music Abroad, a program directed by the State Department.
815 V St. NW
Washington, DC, 20001
815 V St. NW
Washington, DC, 20001