The Infamous Stringdusters – Tickets – 9:30 Club – Washington, DC – January 27th, 2017
All Good presents:
The Infamous Stringdusters
The Brothers Comatose
Doors: 7:00 pm9:30 Club
The Infamous Stringdusters
Tradition and innovation provide the interlocking roots of bluegrass and its descendents, a lively dance of elements skipping comfortably from ancient jigs to radio ditties to spacious experimentation. THE INFAMOUS STRINGDUSTERS joyously embody and carry forward the spirit of Bill Monroe, John Hartford, Earl Scruggs, David Bromberg and other originators in their skilled embrace of this music’s twin gravitational pulls, moving dexterously between homespun legacy and creative expansion, a band firmly grounded in what has come before as they grow strong into tomorrow.
“What we do is a hybrid of the improvisational and bluegrass worlds. We take a lot of pride in that. While our music is our own concept, hopefully it does justice to the amazing components of the bluegrass world,” says Stringdusters Chris Pandolfi. “We love to present what we do but we always call on the bluegrass world of chops, technique, and traditions.”
GRAMMY-nominated The Infamous Stringdusters - Andy Hall (Dobro), Andy Falco (guitar), Jeremy Garrett (fiddle), Travis Book (double bass), and Pandolfi (banjo) – are as comfortable at a dirt road pickin’ session as they are on an amphitheatre stage, a collection of talents that can whisper and roar as the circumstance demands, responding in real time to their surroundings, working the angles as they ply their craft and raise their sinewy voices with limber grace.
Equal parts old school cats and modern operators, the Stringdusters’ latest album, Ladies & Gentlemen (arriving February 5th on Compass Records) spotlights the band’s gift for incorporating guests into their world by rolling out the red carpet for an eclectic array of female singers lending their pipes to a dozen original Stringdusters compositions.
Highlighting the group’s instrumental and compositional prowess, the new set opens up fresh spaces including the drum-boosted contemporary country bounce of “Listen” with airwave vet Joan Osborne, the classic Dolly Parton feel “See How Far You’ve Come” with Sara Watkins (Nickel Creek, Watkins Family Hour), the slow jam slink of “Have A Little Faith” with nu-soul belter Joss Stone, the contemporary folk breeze of “I Believe” with Lee Ann Womack, the rousing Americana soar of “Old Whiskey Bottle” with Celia Woodsmith, or the exhilarating style stew of “Hazosphere” with Jennifer Hartswick (Trey Anastasio Band). Elsewhere Mary Chapin Carpenter, Aofie O'Donovan (Crooked Still, Sometymes Why, The Goat Rodeo Sessions), Celia Woodsmith (Della Mae), Sarah Jarosz, Nicki Bluhm, Claire Lynch and Abigail Washburn weave their voices into one of the group’s strongest song cycles to date.
“Something unifying carries across the different tracks despite the diversity. All of the ladies really brought something special, often melodically, to each song,” says Andy Falco. "They took liberties with what we gave them, which is wonderful. They adapted the material and made it their own, so the finished track was truly a merger of the Stringdusters and each unique collaborator.”
“The lineup crosses all these interesting lines, from genres to relationships to different generations. It brings all these different things together,” says Pandolfi. “It has us playing with people that are new to us, playing with people from our scene, and playing with legends. When making a new Stringdusters album the challenge is finding the mojo - the heart of the matter - and this project has so much heart and mojo coming from all sorts of directions.”
Ladies & Gentlemen, the Stringdusters’ sixth full-length studio release, follows on the heels of Undercover, an EP of inspired cover tunes that reflect the variety of interests and influences in the Stringdusters, tapping the catalogs of Pink Floyd, Tom Petty, Bob Dylan, Johnny Cash and The Highwaymen. It’s another sign of the band’s desire to stretch and innovate even as they fully understand and honor the legacies they engage.
“It’s a challenge we’ve embraced over the years. We’re a band that’s all about original music AND our own approach to old songs,” says Pandolfi. “It’s always been our thing to find a new way to do this.”
A resounding feeling of rock-ribbed authenticity and charming sincerity infuses every aspect of what the Stringdusters do.
“You can’t fool an audience,” says Falco. “There’s a yearning for real stuff in our time right now. Pop music is so perfect today but it’s sterile and the feeling inside it is being lost. When I listen to The Band, the background vocals aren’t perfectly lined up but it’s perfect in its imperfections. That’s what you want to hear. That’s where something grand unfolds. That’s grandma’s spaghetti and meatballs. When you’re younger you think you want the Spaghetti-Os but really you want what grandma is cooking up. As we grow as a band, we reach for more of those home cooked moments in the studio, in concert, in everything we do.”
Preorder Ladies & Gentlemen now at www.thestringdusters.com
The Brothers Comatose
Expansive, uplifting, and just downright beautiful, City Painted Gold is one of the most anticipated records of the coming year – at least amongst the loyal fans The Brothers Comatose had won while touring across the country in support of their past two releases. Infused with a sense of relaxed, experienced confidence, The Brothers Comatose offer a southwestern-tinged, rowdy stringband sound that might just make this your new favorite record before you turn it over to side B.Walking lockstep with their undeniable top-flight musicianship is an easy humility. “It’s just one, big, extended Morrison music party,” they say. Brothers Ben and Alex Morrison, guitar and banjo, and lead vocalists, front this rocking string band that has become a West coast headliner and national touring act in a mere handful of years. With bassmaster Gio Benedetti and stellar accompanists Philip Brezina on fiddle and Ryan Avellone on mandolin, their high energy, audience engaging shows have caught fire with fans from San Diego to Seattle to Salt Lake to Silk Hope, NC and beyond.
“It all sort of started before we ever picked up instruments” explains Ben. “Our mom was in a folk quartet that sang beautiful songs in harmony. Alex and I would watch them rehearse for hours when we were kids.” Growing up around band rehearsals and music parties, the Morrison brothers eventually found themselves with instruments in their hands. Ben started playing on his dad’s acoustic guitar and Alex happened upon a banjo that someone had left behind after a household music party.
The brothers learned a mess of classic rock covers, playing casually in their living room and around campfires (and at those famous Morrison music parties) for the next few years. Eventually their genre of choice drifted to broad-stoke Americana and a buddy asked them to come record a few tunes in his garage. Their friend Benedetti had been studying upright bass and they called him up for the session. He couldn’t make it that day but shortly after they all began playing together. They needed a few more good players to round out their sound, and the brothers put up fliers all around San Francisco. A few people answered, including Philip Brezina, at the time pursuing a Master’s degree in violin performance at the Conservatory of Music. “When he showed up, I thought, who the hell is this guy?” says Ben. “He’s kind of a redneck but he’s getting his masters in classical violin. Turned out to work pretty well.” Avellone had shared bills with the Brothers a few times over the years in other bands and was a perfect fit. Ben called him up, and “next thing you know, he’s our mandolin player.”
Soon enough they put the axe to the grindstone, releasing two critically acclaimed records in Songs From The Stoop (2010) and Respect the Van (2012). Those releases led to extended tours with Devil Makes Three, Yonder Mountain String Band and Lake Street Dive, which in turn led to their own headlining club tours and festival appearances including the likes of High Sierra, Delfest, Outsidelands and Pickathon.
When it came to write their third record, the now-seasoned road warriors returned to their home of fourteen years in the Haight-Ashbury neighborhood of San Francisco. “We wrote this album living in San Francisco as it was changing from a weird, art friendly mecca to a place that only super rich tech workers could afford,” tells Ben. “Things started changing – venues were closing down, and artist and musician friends moved away. What is San Francisco without its weirdos? That’s what the song "City Painted Gold" is about and that’s why it’s the name of this record.” Shortly after completing the record, The Brothers Comatose themselves joined the ranks of the displaced.
Eviction brings change, and change inspires creativity. When our heroes got booted from their home city of over a decade, they did not despair – no! They wrote a new and wonderful album. If our heroes maintain their current trajectory we should all be really rather excited about what the future holds.
815 V St. NW
Washington, DC, 20001
815 V St. NW
Washington, DC, 20001