Mitski – Tickets – 9:30 Club – Washington, DC – July 8th, 2017
Doors: 7:00 pm9:30 Club
Mitski warmly recalls a quote from sculptor El Anatsui, “Art grows out of each particular situation, and I believe that artists are better off working with whatever their environment throws up.”
With this nerve exposed lyrically, and having dived into her new
beginning, Mitski chooses her 2014 breakthrough album Bury Me at Makeout Creek to explore uncharted sonic territory, trading in large string arrangements for guitar and bass. While studying composition at SUNY Purchase’s music conservatory, she previously recorded music with a full orchestra. However as college graduation inched closer, Mitski moved away from the
concert hall and into the campus’ active DIY scene. Upon relocating to New York following graduation, she entered stages at Death By Audio, Silent Barn, and Bed Stuy basements, entrenching her songs of love, fear, lust, and brilliant clarity into entirely sympathetic ears.
Since releasing Bury Me at Makeout Creek, Mitski has
received international acclaim for her distinct, arresting sound and
profoundly reflective lyrics. Pitchfork applauded the release as
“inventive and resourceful,” while Rolling Stone celebrated her
“deep-cutting lyrics.” NME said of Bury Me, “it’s a record that doesn’t tug at your heart-strings as much as it mercilessly pounds at them, taking to your emotions like a lead pipe to a piñata.” She has also received widespread attention for her “cathartic” live shows as dubbed by The New York Times’ Jon Caramanica.
“I was so young when I behaved 25,” Mitski sings on “First Love / Late Spring,” “yet now I find I’ve grown into a tall child.” This veritable thesis speaks to sentiments of the poetry and beauty of struggling up the hill to adulthood. Mitski follows El Anatsui’s humbling advice, cathartically revealing snapshots from her adventures in youth, and the empowerment found in sharing these stories with others. In 2015 Mitski is poised to continue delivering her particular flavor of soul-baring rock, and tour throughout North America and beyond.
Nandi Rose Plunkett writes, records and performs under the name Half Waif. Her music is deeply personal and engaging, reflecting her lifelong endeavor to reconcile a sense of place. Rasied in the bucolic cultural hub of Williamstown, Massachusetts, Nandi was the daughter of an Indian refugee mother and an American father of Irish/Swiss descent. She was one of Williamstown’s only non-white residents. As a kid, she listened to a wide mix of music that included everything from Joni Mitchell and Tori Amos, to Celtic songstress Loreena McKennitt and traditional Indian bhajans. In college, she studied classical singing and became enamored with the works of Olivier Messiaen and Claude Debussy. Her output as Half Waif reflects these varying influences, resulting in a richly layered collage of blinking electronic soundscapes, echoes of Celtic melodies and the sad chord changes of 19th-century art music.
Next to her touring schedule as a member of Pinegrove, Half Waif has already self-released two EPs and two albums – a split 7" with Deerhoof, the Future Joys EP in 2013, and then albums KOTEKAN (produced by Devin Greenwood) in 2014, and Probable Depths (produced by Zubin Hensler) last May. It was with Probable Depths that Half Waif caught the attention of the worldwide music media, with NPR singling out track ‘Turn Me Around’ and Pitchfork awarding it their coveted Best New Track distinction. It was also during this time that Half Waif’s relationship with Cascine began.
Half Waif’s latest work is newly complete. The form/a EP is a collection of tracks that expand on her exploration of home. She explains, “there’s an inherent restlessness in the way that I write and think about sound. I’m the daughter of a refugee, and somewhere in me is this innate story of searching for a home. As a result, I have many – a collection of places that I latch onto, that inspire me, that fuse themselves to me. I’m sentimental, nostalgic – yet constantly seeking what’s next, excavating the sound of my past and coloring it to make the sound of my future. I’m a child of divorce, fiercely loved but forced into independence at a young age; I rocket into relationships with the desire to find roots, commonality, to create stillness in the midst of public noise. In this way, my songs are like the notes of a large scavenger hunt, clues pinned to trees I have known, or tucked under rocks on my path, urging the listener to keep looking a little deeper, because maybe they will find something special in the end.”
form/a is released as a limited-edition 12” February 24 on Half Waif’s new label home, Cascine. Art for the cover was shot by Adan Carlo and hand-stitched by Chilean artist, María Aparicio Puentes. Half Waif is comprised of Nandi Rose Plunkett, Zack Levine and Adan Carlo. The band will tour Europe this winter and North America in the spring, including dates at SXSW.
815 V St. NW
Washington, DC, 20001
815 V St. NW
Washington, DC, 20001