Alt Nation Advanced Placement Tour

9:30 Club presents at U Street Music Hall:

Alt Nation Advanced Placement Tour

Night Riots, The Hunna, The Shelters

Tue, November 15

7:00 pm

$15

Night Riots - (Set time: 10:00 PM)


When we last saw NIGHT RIOTS, the Los Angeles-based quintet was touring in support of Howl, their critically acclaimed EP featuring the hit single “Contagious,” which shot to No. 1 on SiriusXM’s Alt Nation while amassing over 4.5 million streams.

The EP drew comparisons to The Cure (MTV) and The Killers (Earmilk), was described as “new wavey bliss” (Billboard) and saw the band praised for their “anthemic, synth-laden rock” (Spin).

The band (vocalist Travis Hawley, bassist Mikel Van Kranenburg, guitarists Nick Fotinakes and Matt DePauw and drummer Rico Rodriguez) played hundreds of shows in support, sharing stages with the likes of Lana Del Rey, Morrissey, Cage The Elephant, Walk The Moon, OK Go, The Mowgli's, Angels & Airwaves and many more, while also garnering praise from the likes of KCRW, Huffington Post, KROQ, All Things Go, Nylon and AV Club, among others.

A year later they’ve returned with the much-anticipated LOVE GLOOM, produced by Joe Chiccarelli (Morrissey, Spoon, The Strokes) and recorded at Sunset Sound in Los Angeles.

“We were in the same room where Zeppelin recorded ‘Whole Lotta Love,’ says vocalist Travis Hawley. “It was pretty amazing to come in each day and walk through a hall filled with gold records and see pictures of Jim Morrison sitting at the console where we mixed. We even had the occasional celebrity sighting, like the time Mikel bumped into Lenny Kravitz and his procession of supermodels. He flashed a peace sign, said “what’s up” and sauntered off, his scarf dancing on the ground behind him as he walked. It was inspiring,” he muses.

As for the album’s production, Hawley says, “Love Gloom was a first for us in a lot of ways. In the past we had always taken a more paced stance on recording, tracking a few songs, taking a break and then writing more. This time we wrote and wrote and wrote until we had a huge collection of songs. We then refined and rehearsed them at our home studio until we felt like an album was speaking to us.

We live in a time where through the aid of computers, music and art can be digitally squeezed, quantized, pitch-shifted, wrapped in cool packaging and shoved out into the market. But Joe Chiccarelli urged us to leave the nuances, take risks and let the music be real. When we discussed records that inspired us we realized that they were vulnerable, with flaws and eccentricities that made us able to connect not only to the music as a whole but to the players performing as individuals. And we wanted that. It was important to us that our music be as real as possible and to allow our individual personalities to combine to create the whole.”

The result is LOVE GLOOM, an album Buzzbands described as “the sound of urban desperados wandering rain-slickened streets, hearts playing tug-of-war with hope and despair.”

Among the album’s many highlights is “Nothing Personal,” “Fangs,” “Breaking Free,” and “Don’t Kill The Messenger,” all part of a collection of songs filled with moody-but-danceable melodies and atmospheric arrangements.

“The music and the title LOVE GLOOM is about a collision of emotions,” says Hawley. “It’s when you need love and can’t find it. It’s the sickness of wanting someone and not knowing if they feel the same way. It’s the tearing of a breakup and the coldness of a partner during a fight. We wanted to create an album that’ll make you feel ecstasy and despair,” he smiles, “like you’re climaxing and suffocating at the same time.”
The Hunna - (Set time: 9:00 PM)
The Hunna
The Shelters - (Set time: 8:00 PM)
The Shelters


Chase Simpson (vocals/guitar)
Josh Jove (vocals/guitar)
Sebastian Harris (drums)
Jacob Pillot (bass)

For a moment there, Los Angeles based band The Shelters seemed like 21st century rock 'n roll’s best kept secret. But word got out. It started in the clubs. And everyone who saw them thought maybe he or she had gotten there first. By now, however, it’s clear that they’ll all have to share.

The Shelters have their self-titled debut LP coming June 10th on Warner Bros. Records. Just like the EP they released last October as an album preview, their full-length is a blast of Southern Californian rock and roll from a four-piece like they used to make them, when the factory was still up and running. Co-produced by Tom Petty, this album comes at you from behind, nothing you were expecting.

The Shelters had just banded together when Petty heard them and got a gut feeling about what they could be. He gave the Shelters the keys to his home studio and showed them a few things. Though mostly he left them alone, Petty had enough sense to leave the gear powered up. Maybe they were determined to show him he hadn’t made a mistake. Maybe they just liked the way those old tube amps sounded. They seized the moment and got to work, insistent on becoming a band. A real band.

One listen to their single “Rebel Heart,” or any one of the other eleven songs on their debut, and you’ll know they pulled it off. Led by the songs, harmonies and twin-guitar sound of Chase Simpson and Josh Jove, and powered by drummer Sebastian Harris’s groove obsession, the band has put together a collection of recordings that have an immediacy, an emotion, and a musical intelligence that suggests these boys are beyond their years.

People are going to reference some of the great rock and roll bands of yesterday and today. But this is no tribute show. The sounds they’ve made seem to have been dragged from the vaults and forced to fit the present. It’s all a beautiful reminder that rock and roll may have slipped out of view for minute, but it’s still out there, alive in the hands of the ones who need it the most.

The Shelters, now including Jacob Pillot on bass, have toured
recently with the likes of Gary Clark Jr, Mudcrutch, The Kooks, The Wild Feathers, BRONCHO, Atlas Genius, The Struts and more, plus made major festival appearances across the country. They will tour the nation at the end of 2016, including a run of shows with Band Of Horses in October.
Venue Information:
U Street Music Hall
1115 U Street NW
Washington, DC, 20009
http://www.ustreetmusichall.com/