Thu, July 28
Doors: 7:00 pm
Swans - (Set time: 9:00 PM)
Swans have announced details of a new album, The Glowing Man, out on Mute / Young God (N America) on 17 June 2016. Listen to an excerpt of The Glowing Man, taken from the album, here: https://youtu.be/Ka_hKb7dSiY
The Glowing Man will be available on double CD and deluxe triple gatefold vinyl, with a poster and digital download. In addition, there will be a double CD/DVD format, which features a Swans live performance from 2015.
The Glowing Man, announced as the last album release of Swans’ current incarnation, will be followed by an extensive tour. The tour will unfold with dates beginning in North America in the summer, before returning to Europe in the autumn. Announced tour dates below include UK dates in October that see the band play two shows at London’s Islington Assembly Hall.
Swans, led by Michael Gira, formed in 1982 and, after disbanding in 1997, returned with the critically acclaimed albums My Father Will Guide Me Up A Rope To The Sky (2010), 2012’s The Seer and 2014’s To Be Kind.
A NOTE FROM MICHAEL GIRA OF SWANS:
“In 2009 when I made the decision to restart my musical group, Swans, I had no idea where it would lead. I knew that if I took the road of mining the past or revisiting the catalog, that it would be fruitless and stultifying. After much thought about how to make this an adventure that would instead lead the music forward into unexpected terrain, I chose the five people with whom to work that I believed would most ably provide a sense of surprise, and even uncertainty, while simultaneously embodying the strength and confidence to ride the river of intention that flows from the heart of the sound wherever it would lead us - and what’s the intention? LOVE!
And so finally this LOVE has now led us, with the release of the new and final recording from this configuration of Swans, The Glowing Man, through four albums (three of which contain more complexity, nuance and scope than I would have ever dreamed possible), several live releases, various fundraiser projects, countless and seemingly endless tours and rehearsals, and a generally exhausting regimen that has left us stunned but still invigorated and thrilled to see this thing through to its conclusion. I hereby thank my brothers and collaborators for their commitment to whatever truth lies at the center of the sound. I’m decidedly not a Deist, but on a few occasions – particularly in live performance – it’s been my privilege, through our collective efforts, to just barely grasp something of the infinite in the sound and experience generated by a force that is definitely greater than all of us combined. When talking with audience members after the shows or through later correspondence, it’s also been a true privilege to discover they’ve experienced something like this too. Whatever the force is that has led us through this extended excursion, it’s been worthwhile for many of us, and I’m grateful for what has been the most consistently challenging and fulfilling period of my musical life.
Going forward, post the touring associated with The Glowing Man, I’ll continue to make music under the name Swans, with a revolving cast of collaborators. I have little idea what shape the sound will take, which is a good thing. Touring will definitely be less extensive, I’m certain of that! Whatever the future holds, I’ll miss this particular locus of human and musical potential immensely: Norman Westberg, Kristof Hahn, Phil Puleo, Christopher Pravdica, Thor Harris, and myself mixed in there somewhere, too.”
THE GLOWING MAN TRACKLISTING
1. Cloud of Forgetting
2. Cloud of Unknowing
3. The World Looks Red / The World Looks Black
4. People Like Us
5. Frankie M.
6. When Will I Return?
7. The Glowing Man
8. Finally, Peace.
“I wrote the song ‘When Will I Return? specifically for Jennifer Gira to sing. It’s a tribute to her strength, courage, and resilience in the face of a deeply scarring experience she once endured, and that she continues to overcome daily.
The song ‘The World Looks Red / The World Looks Black’ uses some words I wrote in 1982 or so that Sonic Youth used for their song ‘The World Looks Red’, back in the day. The music and melody used here in the current version are completely different. While working up material for this new album, I had a basic acoustic guitar version of the song and was stumped for words. For reasons unknown to me, the lyric I’d so long ago left in my typewriter in plain view at my living and rehearsal space (the latter of which Sonic Youth shared at the time) and which Thurston plucked for use with my happy permission, popped into my head and I thought “Why not?” The person that wrote those words well over three decades ago bears little resemblance to who I am now, but I believe it remains a useful text, so “Why not?”. Maybe, in a way, it closes the circle.
The song ‘The Glowing Man’ contains a section of the song ‘Bring The Sun’ from our previous album, To Be Kind. The section is, of course, newly performed and orchestrated to work within its current setting. ‘The Glowing Man’ itself grew organically forward and out of improvisations that took place live during the performance of ‘Bring The Sun’, so it seemed essential to include that relevant section here. Since over the long and tortured course of the current song’s genesis, it had always been such an integral cornerstone I believe we’d have been paralyzed and unable to perform the entire piece at all without it.
‘Cloud of Forgetting’ and ‘Cloud of Unknowing’ are prayers. ‘Frankie M’ is another tribute and a best wish for a wounded soul. ‘The Glowing Man’ contains my favorite Zen Koan. ‘People Like Us’ and ‘Finally, Peace’ are farewell songs.”
- Michael Gira 2016
The Glowing Man was recorded at Sonic Ranch, near El Paso, Texas, with John Congleton as recording engineer. Further recording was made at John’s Elmwood Studio, in Dallas, Texas, and at Studio Litho (Seattle, WA) with Don Gunn, engineer, and at CandyBomber (Berlin) with Ingo Krauss, engineer. The record was mixed by Ingo at CandyBomber and by Doug Henderson at Micro-Moose, Berlin. Doug Henderson mastered it at Micro-Moose.
Here’s a list of the principal players on the record (complete credits and words to the songs available on request):
Swans: Michael Gira – vocals, electric and acoustic guitar; Norman Westberg – electric guitar, vocals; Kristof Hahn – lap steel guitar, electric guitar, acoustic guitar, vocals; Phil Puleo – drums, dulcimer, knocks, vocals; Christopher Pravdica – bass guitar, vocals; Thor Harris – percussion, vibes, bells, dulcimer. Hit Man and 7th Swan: Bill Rieflin – drums, piano, synth, Mellotron, bass guitar, electric guitar, vocals.
Guest Musicians: Jennifer Gira sings the lead vocal on ‘When Will I Return?’ The cello solo on ‘Cloud of Unknowing’ was graciously provided by the ferocious improviser, Okkyung Lee.
Okkyung Lee - (Set time: 8:00 PM)
Okkyung Lee, a New York-based artist and South Korea native, has created a body of work blurring genre boundaries through collaborations and compositions while pushing the limitation of contemporary cello performance techniques. Her music draws from noise and extended techniques, jazz, Western classical, and Korean traditional and popular music.
Since moving to New York in 2000, She has released more than 20 albums including her latest solo record Ghil produced by Lasse Marhaug on EditionsMego/Ideologic Organ and Noisy Love Songs (for George Dyer) on Tzadik.
She has performed and recorded with numerous artists from wide ranges such as Laurie Anderson, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Ikue Mori, Thurston Moore, Marina Rosenfeld, Jim o’Rourke, Evan Parker, Wadada Leo Smith, C Spencer Yeh and John Zorn to name just a few.
Okkyung was rewarded with prestigious Doris Duke Performing Artist Award in 2015 and received Foundation For Contemporary Arts Grant in 2010.
815 V St. NW
Washington, DC, 20001
815 V St. NW
Washington, DC, 20001