M3 Southern Rock Classic, Lynyrd Skynyrd – Tickets – Merriweather Post Pavilion – Columbia, Maryland – April 30th, 2017
M3 Southern Rock Classic
Charlie Daniels Band, OUTLAWS, Black Stone Cherry, Molly Hatchet, Blackfoot, Great Train Robbery, One Nite Stand
Doors: 11:00 am / Show: 11:45 amMerriweather Post Pavilion
$31.00 - $76.00
This event is all ages
Please note- there is a 6 ticket limit for this show per person. No refunds or exchanges.
Attention: Parking at Merriweather for 2017 has Changed! All ticketholders NEED to pre-select parking (or decline parking) once tickets have been purchased. Once you’ve completed your ticket transaction, you’ll receive a confirmation email with link to select your FREE parking. Please do so in advance so you have a parking lot assignment and ticket when you arrive for the show.
Note to ridesharers, walkers, bussers, carpoolers and cyclists: If you have made other transportation arrangements, there is no need to select parking.
Click HERE to view parking options for this showhttp://www.930.com/event/1392150/
And so Skynyrd stands, "still unbroken." "People may say, 'they need the money,' well I don't think any of us need the money," Van Zant says. "It's just that we love the music, it's bigger than the money, it's not even about that any more. We have to make a living, sure, but it's about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There's nothing like getting out there playing a great show with Skynyrd and seeing people love this music."
Adds Rossington, "We're still standing, still keeping the music going. We wanted to do the guys who aren't with us any more proud, and keep the name proud, too."
With a catalog of over 60 albums, sales beyond 30 million worldwide and their beloved classic American rock anthem "Sweet Home Alabama" having over two million downloaded ringtones, Rock & Roll Hall of Famers Lynyrd Skynyrd remains a cultural icon that appeals to all generations.
A decade ago, Black Stone Cherry made its attention-grabbing self-titled debut at David Barrick's Barrick Recording near their hometown of Edmonton, KY. It proclaimed the arrival of a vibrant and exciting new force in Southern rock 'n’ roll, a group that played with fire, sang with brimstone and had plenty of cajones -- what other young band, after all, is willing to take on something as iconic as the Yardbirds' "Shapes of Things" on its first album?
Flash forward nine years and the BSC crew -- still guitarists Chris Robertson and Ben Wells, bassist Jon Lawhon and drummer John Fred Young -- found themselves back at Barrick, which had relocated and modernized a bit during the intervening years, although its analog mixing board hails from EMI's legendary Abbey Road studios in London. This was hardly the same group of fresh-faced rock nubiles that made the BLACK STONE CHERRY album, either; they'd traveled hundreds of thousands of miles on six continents, written scores more songs and even jousted a bit with the industry. They're family men and homeowners, too -- still rockers to the core but well aware of the "real world" outside the tour bus. So they came into KENTUCKY –- the quartet’s first release for Mascot Records -- more seasoned, battle-savvy and focused, ready to come back home and turn everything they'd learned into a set of ambitious and fearless new music.
"There's all this freedom because it's just us producing it this time," says Robertson. "We're doing it like we did that first one; people still rave about that record, our fans do. But a decade later we're all older, more mature. We all feel like better musicians and songwriters. But even though we're older now it's got a certain element of youth about it that you just can't escape. It's the most interesting album we've done thus far.”
Young adds that, "Man, it was perfect, the experience of getting to record here at home, being with our families, having the opportunity to record with David Barrick again and with all that amazing gear he has. You can never really go back to, 'Oh, I'm 17 again. I don't know how to perfectly tune a guitar or hit the perfect drum lick.' But you can mix some of that into what you are now. We just had a blast and didn't hold anything back.”
Then again, BSC is hardly known for restraint, something anyone who's seen the group blaze through any of its live shows can attest to. The story starts on June 4, 2001, in Edmonton, KY, when Robertson and Young, musical playmates since they were teens, were joined by Wells and Florida transplant
Lawhon. Encouraged by musician relatives (Young's dad Richard and uncle Fred are two of the Kentucky HeadHunters), the fledging troupe cut its musical teeth at the Practice House, a 1940s bungalow -- pictured on the cover of KENTUCKY -- that had been relocated to a remote field by Young's grandparents. Used first by the HeadHunters and then BSC - its walls covered with posters, concert tickets and other memorabilia - it was as much of a learning space as the high school the four attended.
"We'd go there and sit and smoke cigarettes and jam on Nirvana and AC/DC, Skynyrd songs and Pantera, try to play Led Zeppelin songs," Young remembers. "It was perfect, man. The closest neighbor was, like, more than a mile away, so we could make as much noise as we wanted, any time we wanted. It was a great way to become a band."
After releasing the independent “Rock N’ Roll Tape” demo, BSC's burgeoning reputation got the group a label deal, and BLACK STONE CHERRY was followed by FOLKLORE AND SUPERSTITION, BETWEEN THE DEVIL AND THE DEEP BLUE SEA and MAGIC MOUNTAIN, which spawned rock radio favorites such as "Lonely Train," "Blind Man," "White Trash Millionaire" and "Me and Mary Jane." The group's muscular style and homespun attitude connected particularly well overseas, where its last three albums hit No. 1 on the U.K. rock charts – MAGIC MOUNTAIN debuted Top 5 on the U.K. album chart overall - making that the perfect place to film and record the scorching concert souvenir "THANK YOU LIVIN' LIVE, BIRMINGHAM UK OCTOBER 30, 2014.
"For us it's realizing we're a live band -- that's where people are really sold on us and where we cut our teeth," says Wells. "So in writing the riffs and writing the songs for KENTUCKY, we had that in mind. We'd say 'OK, how is this gonna go over live in a festival setting? How is this gonna go over live in a club? Is this what our fans expect?' That was our whole mindset, just to get back to where we were when we first started and 'Let's not overthink this. Let's go in there and make the riffs cool and heavy. Let's just do it.’"
KENTUCKY does it from the get-go, letting loose with the meaty groove of the appropriately named "The Way of the Future," and fellow heavyweights such as "Shakin' My Cage," "Rescue Me," "Hangman" and the metallic "In Our Dreams," which was co-written with Bob Marlette (Alice Cooper, Rob Zombie, Seether, Saliva). “We wanted to write a song to show the struggle people faced in a situation of disparity, who when presented with danger and chaos could rise above the physical world and escape to another dimension of peace,” explains the band of “In Our Dreams.” The group's rendition of Edwin Starr's Motown classic "War," besides being eerily timely, features a full brass attack from Jonas Butler and Ryan Stiles, while "Soul Machine" shows that BSC knows how to get a deeply funky groove, complete with backing vocals by Sandra Dye and Toynnia Dye. "Long Ride," meanwhile, is a testament of devotion, whose anthemic chorus will have fists pumping into the air whenever the group pulls it out in concert.
"The songs came off more pure and not forced on this album," says Lawhon. "A lot of bands will get very political about things and be like, 'We need this kind of song' or 'We need this batch of songs for this part of our audience' and so on. With us, we just write. Once we feel like we've got the record, that's when we sit back and think about marketing angles and all that. The songs come first and foremost."
The emotional crucible of the album, meanwhile, comes via the wrenching "When Your Heart Breaks Down," a richly melodic co-write with former Shinedown guitarist Jasin Todd that takes stock of some of the costs that come with BSC's chosen life but also offers comfort to those left back home. "It's just about heartbreak and being a true rebel spirit at heart," explains Young. “We all knew the song was special, and when we were in the studio writing it Chris lost his grandpa, and he got pretty emotional when he was putting his vocal on it. It's a really wonderful song.”
BSC is particularly proud that KENTUCKY was not only made at home but also features a corps of hometown players adding their magic to the songs, including Chris Carmichael (strings), Paul Hatchett (organ), Chad Lockhart (vocals), Boone Frogget (vocals), and Andrea Tanaro (vocals). "This album IS Kentucky," Robertson says with palpably fierce pride. "Everyone who plays on it is from Kentucky. It's in their blood just like it's in ours, and they added so much to the record."
KENTUCKY will, of course, send BSC away from Kentucky and back to its second home on the road, with a fresh batch of songs Lawhon notes, "were meant to be played live." And it's key to remember that it's the same four guys playing it now as it was in Edmonton, when they were wet behind the ears and ready to put on some miles.
"It's cool we've been able to be the same four guys just doing it, putting out albums. You don't see that many bands who are the same members after all these years," says Wells. "We're friends first, and from the beginning it's always been four equals. That's what's kept us together. We're all in it, all on the team. It takes four of us to lead the band, not just one." And, Robertson adds, everyone in BSC shares the same credo.
"Music is life, life is music," he says. "It's faith, family and music. Those are the things that are quintessential for my life -- for all our lives."
Their self-titled debut album which included Danny Joe Brown, Dave Hlubek, Duane Roland, Steve Holland, Banner Thomas and Bruce Crump in the lineup was released on Epic records in 1978 and reached multi-platinum status as the band established their reputation of working hard, playing tough and living fast through intense touring with such bands as Aerosmith, Bob Seger, The Rolling Stones and many more. In 1979, Flirtin' With Disaster was released and history was in the making. The band continued touring on the road with an average of 250 live shows per year and like the first album it also achieved multi-platinum status. Lead singer, Danny Joe Brown left the band in 1980 and contacted Bobby Ingram, a Jacksonville based guitarist and friend, who gave brown his first singing gig in 1975 with a Jacksonville based band called Rum Creek. Brown and Ingram then put together with keyboardist John Galvin the Danny Joe Brown Band and continued touring until 1982. The album was produced by Glyn Johns at Compass Point Studios in the Bahamas as he has worked with legendary artist The Rolling Stones, The Beatles, The Who, The Eagles and many more.
During this time, Beatin' The Odds (1980) and Take No Prisoners (1981) was released with singer Jimmy Farrar. Brown returned to record No Guts ... No Glory (1983), The Deed Is Done (1984) and Double Trouble Live (1985).In the fall of 1985, Bobby Ingram of Jacksonville came into the band as lead guitar and songwriter and the band continued to tour over 200 dates a year and in 1989 record Lightning Strikes Twice for capitol records.
In 1990, while Ingram, Galvin and Brown continued the tradition as Molly Hatchet the tough touring schedule lead to the other members departure from the band. The Greatest Hits album was released in 1991 and certified gold. The band from 1990 until 1995 took a break from recording but continued to write new songs and tour in the United States, Canada and Europe. Devil's Canyon, the first studio album in 6 years was then recorded in Hamburg, Germany in 1996 under the care and guidance of Rainer Hansel, CBH Records. With producers Kalle Trapp and Bobby Ingram the album was voted the number one rock record in Europe for 1996. With a history of diabetes, brown was unable to fulfill studio and touring responsibilities and he brought in Phil McCormack to take over the lead vocal position. Long time member Bobby Ingram - lead guitar, Phil McCormack - lead vocals, John Galvin - keyboards, Bryan Bassett - lead guitar, Andy McKinney - bass, Mac Crawford - drums, make up the current lineup.
From the release of Devil's Cannon and the world wide touring coordinated by Steve Green, Artists International Management, the band has continued performing the classic hits such as "Flirtin' With Disaster, "Gator Country," "Whiskey Man" and "Dreams I'll Never Dee," as well as, the current hits in the true spirit and southern tradition of Molly Hatchet. The 1998 release of Silent Reign Of Heroes was recorded back in Hamburg, Germany with producer/guitarist Bobby Ingram and is kept in the same spirit and tradition as the past with new hit songs "Mississippi Moon Dog," "Saddle Tramp," "Miss Saturday Night" and the title track "Silent Reign Of Heroes". Included on the album is an acoustic version of the classic hit "Fall Of The Peacemakers". The band is currently on an extensive 18 month world tour in support of the new release "Kingdom of XII" where guest artist Charlie Daniels appeared on 2 tracks the album charted in Europe and had much success.
In 2003 the band is celebrating it's 25th anniversary of the first national or international release with first a double Live album "Locked and Loaded" recorded in Germany as they consider this their home away from home and it is the first time in 7 years that a Live album has made the European Charts and SPV GmbH is still there beloved record company with Rainer Hansel and Manfred Schutz. The band has plans on touring in support of the 25th anniversary and will release a new studio album of all of the classic songs re-recorded in this generation of the band with Artists International Management, Inc. as their agency. And Locked and Loaded a double CD that was recorded in Germany at the International Harley Davidson Festival in front of 80,000 Southern rockers that has now been captured on DVD and being released fall of 2005. After 4.5 years of touring and tracking outside of the studio on their own material it was time to release an album that in the bands tradition go back to the roots of straight forward southern rock and roll that's unequaled of anything the band has recorded before in the 25 year legacy. The album "Warriors of the Rainbow Bridge" recorded in the mountain tops of Bavaria was the perfect setting for such a comprehensive project. As we live day by day no one knew that Bobby Ingram would suffer the lose of his wife Stephanie during the tracking of the album and finish after a delay. Stephanie was the seventh member of Molly Hatchet and she did many things behind the scenes that no one ever saw and she was never the person that would ever want anything in return. The Southern Rock community has lost a great person that she gave all and loved Molly Hatchet and the friends she made along the way. If that was the first emotional heartbreak, Danny Joe Brown the singer for Molly Hatchet passed away from complications of diabetes he had suffered with for many years and he gave so much to the rock and roll industry and music around the world all of our heartfelt condolences and prayers go out to his family and children and he also will never be forgotten. In 2006, Duane Roland, guitarist of the band passed away and also left a legacy that will never be forgotten. We will all miss him and his music lives on. In 2005, Dave Hlubek, a founding member after playing in various bands around the United States has returned to Molly Hatchet after 20 years. Everyone was glad to see Dave having a good time and doing what he does best...the tradition lives on!!
So as we enter the next 25 years of music Molly Hatchet supports tradition that keeps developing the common bond and unity that keeps this style of music alive and well and rest assured Molly Hatchet is a band that after 28 years is always workin' hard, playin' tough, livin' fast, and still Flirtin' with Disaster!!!
For the kids just getting into diapers in the late 80′s, this band exposes them to a genre perhaps their daddies told only them about. Loud, raucous and irreverent with a twang, rock 'n' roll served southern style is as outlaw as it comes. What better to entice this generation of troubled youth? Modeled after Blackfoot's live band of the early 80′s, these young guns look the part, flowing blonde locks and all. But even more impressive, these guys sound the part… precisely. Guitar-led rock lyrically-driven by the stories of authentic America is what grabs you about this Blackfoot, and what caught all of our attention more than 30 years ago. Featuring members hand-picked by Medlocke, this is his baby and he's just born a wild child! Stay tuned for new tunes too under the Blackfoot moniker, sure to please the rebel in all of us."
Merriweather Post Pavilion
10475 Little Patuxent Parkway
Columbia, Maryland, 21044