FOO FIGHTERS 20th Anniversary Blowout! – Tickets – RFK Stadium – Washington, DC – July 4th, 2015
FOO FIGHTERS 20th Anniversary Blowout!
Trouble Funk, Buddy Guy, LL Cool J feat. DJ Z-Trip, Heart, Gary Clark Jr., Joan Jett and the Blackhearts, Trombone Shorty & Orleans Avenue, RDGLDGRN, Fireworks!! Motorcycle Rally!! BBQ!! More!!
12:00 pmRFK Stadium
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-Professional audio or video recording devices and equipment (cameras and recorders)
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The band and their sound, developed by mixing an uproarious blend of swinging, up-tempo 70’s funk with a 60’s style horn section, heavily laden with infectious percussion, topped off with booming vocals and the genre’s trademark call and response, burst onto the music scene in 1978. Trouble Funk, in its infancy, consisted of the writing team of band leader, bassist and vocalist Tony “Big Tony” Fisher, keyboardists Robert “Syke Dyke” Reed and James Avery and trumpet player Taylor Reed. The group was rounded out with the musical prowess of drummer Emmett Nixon, percussionists Mack Carey and Timothy “Teebone” David, guitarist Chester Davis, trombonist Gerald Reed and saxophonist David Rudd while they peppered the musical landscape of the 1980’s with anthems “Drop the Bomb”, “Pump Me Up”, “Let’s Get Small”, “So Early in the Morning”, “Saturday Night Live From Washington, D.C., Parts 1 & 2”, “Say What?” and two R&B/ Hip-Hop Billboard charting tracks, “Still Smokin’” and “Good to Go”.
“Drop the Bomb” was the first Go-Go record to be released outside of Washington, D.C. and was released on the pioneering label, Sugar Hill Records.
Trouble Funk, with their raw, party driven style, was able to capture the attention of musical enthusiasts of a variety of genres catapulting themselves onto the national and international music scene. They would frequently tour with notable punk rock acts Minor Threat and the Big Boys, while still gracing the stage on major music festivals with legendary artists such as Curtis Mayfield, Parliament Funkadelic, Red Hot Chili Peppers, UB40, Def Leppard and Fishbone, to name a few. Trouble Funk also recorded with Kurtis Blow and appeared in his video, “I’m Chillin’”.
From 1986 to 1988, Trouble Funk toured extensively throughout the United States playing legendary venues such as Madison Square Garden and the Apollo Theatre and on worldwide stages with multiple stops in Brussels, Paris, Amsterdam, London, Spain, Nice, Denmark, Germany and Japan. A stop in Switzerland included a performance at the highly regarded Montreux Jazz Festival. 1994 brought Trouble Funk back to Japan for an extended tour.
In the mid 80’s, while Trouble Funk was signed to Island Records, their live performances were captured on the big screen in the film “Good to Go” starring Art Garfunkel. The film, produced by Island Pictures, showcased Go-Go music and most prominently, the music of Trouble Funk with the group featured on 5 of the 13 tracks on the soundtrack.
During Trouble Funk’s obligation with Island Records, they worked with the legendary Bootsy Collins who produced the album “Trouble Over Here, Trouble Over There”.
“Pump Me Up” is one of the most sampled tracks of all time being sampled in over 70 different songs by various artists including Will Smith, Kurtis Blow, Grandmaster
Melle Mel and the Furious Five, M/A/R/R/S, Guy, Public Enemy, 2 Live Crew, George Clinton, Vanilla Ice, EPMD, Run-DMC, George Michael and Black Eyed Peas to name a few, with some gaining chart topping hits. “Pump Me Up” is also featured in Style Wars and the fictional R&B radio station WildStyle in the game Grand Theft Auto: Vice City.
The result has a title both simple and clever: Rhythm & Blues, the first double-album set of his storied career. But more than five decades into a life as one of the world’s leading bluesmen, Buddy Guy is used to new surprises, challenges, and accolades.
At age 76, he’s a Rock and Roll Hall of Fame inductee, a major influence on rock titans like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, a pioneer of Chicago’s fabled West Side sound, and a living link to that city’s halcyon days of electric blues. He has received 6 Grammy Awards, 28 Blues Music Awards (the most any artist has received), the Billboard magazine Century Award for distinguished artistic achievement, and the Presidential National Medal of Arts. Rolling Stone ranked him in the top 25 of its "100 Greatest Guitarists of All Time."
The last year, in fact, has proven to be one of Guy’s most remarkable ever. He was awarded the 2012 Kennedy Center Honors for lifetime contribution to American culture; earlier in the year, at a performance at the White House, he even persuaded President Obama to join him on a chorus of “Sweet Home Chicago.”
Also in 2012, he published his long-awaited memoir, When I Left Home, and released Live at Legends, which has been nominated for Best New Recording in the Living Blues Awards. Meanwhile, Guy keeps looking to the future of the blues through his ongoing work with his 14-year-old protégé, Quinn Sullivan.
Now the story continues with Rhythm & Blues, 21 tracks which feature contributions from a stellar and wide-ranging set of guests, including Steven Tyler, Joe Perry, and Brad Whitford of Aerosmith and rising guitar wizard Gary Clark, Jr. “If you watch a ballgame, it seems like those guys are angry at one another, but when they finish playing, they go out and have drinks together,” says Guy. “Musicians were doing that before anybody—we don't have rivals as far as who can outplay who, but we have so much fun letting other people think that's what it is. So it’s really a blessing to have all of these guys on here.”
He had a specific inspiration for a duet with his friend Kid Rock, realizing that “Messin’ with the Kid”—a 1960 hit for Guy’s long-time partner Junior Wells—was a perfect fit lyrically and musically. “I was surprised he hadn't gotten there himself,” says Guy. “I saw him at the White House and I thought, ‘I ain't gonna tell him, 'cause he might go and do it himself, I'm going to wait until I can do it!” I threw it at him and he jumped the fence—he did a hell of a job with it.”
Probably the most unexpected guest on Rhythm & Blues (which was produced by Guy’s frequent collaborator Tom Hambridge, and recorded at Nashville’s Blackbird Studios) is country superstar Keith Urban, who joins Guy on an emotional ballad called “One Day Away.” Guy maintains that he was well aware of Urban’s instrumental prowess before they teamed up. “I listen to everything, regardless of what type of music it’s branded,” he says. “If I hear a guitar that makes me pat my feet, and try to not go to sleep 'cause I’m afraid I might miss something, it's all right with me. Any guy who can think about playing music is a friend of mine, and the door is always open.”
One song in particular jumped out at Guy, a funky travelogue called “Meet Me In Chicago” written by slide guitar maestro Robert Randolph. “I really fell in love with that one,” he says. “I been in Chicago 56 years—that sounds just like me. It's not really blues, but it's a good beat, so I wanted to see if I could do something with it.”
Though Buddy Guy will forever be associated with Chicago, his story actually begins in Louisiana. One of five children, he was born in 1936 to a sharecropper’s family and raised on a plantation near the small town of Lettsworth, located some 140 miles northwest of New Orleans. Buddy was just seven years old when he fashioned his first makeshift “guitar”—a two-string contraption attached to a piece of wood and secured with his mother’s hairpins. On the new album, he recounts these days on such deeply personal songs as “I Came Up Hard” and “My Mama Loved Me.”
In 1957, he took his guitar to Chicago, where he would permanently alter the direction of the instrument, first on numerous sessions for Chess Records playing alongside Howlin’ Wolf, Muddy Waters, and the rest of the label’s legendary roster, and then on recordings of his own. His incendiary style—still in evidence all over Rhythm & Blues—left its mark on guitarists from Jimmy Page to John Mayer. “He was for me what Elvis was probably like for other people,” said Eric Clapton at Guy’s Rock and Roll Hall of Fame induction in 2005. “My course was set, and he was my pilot.”
These many years later, Buddy Guy is a genuine American treasure, and one of the final surviving connections to an historic era in the country’s musical evolution. And still, as one glorious track on Rhythm & Blues puts it, he claims that “All That Makes Me Happy is the Blues.”
“I worry a lot about the legacy of Muddy, Wolf, and all the guys who created this stuff,” he says. “I want people to remember them. It's like the Ford car—Henry Ford invented the Ford car, and regardless how much technology they got on them now, you still have that little sign that says ‘Ford’ on the front.
“One of the last things Muddy Waters told me—when I found out how ill he was, I gave him a call and said, ‘I'm on my way to your house.’ And he said, ‘Don't come out here, I'm doing all right. Just keep the damn blues alive.’ They all told me that if they left here before I did, then everything was going to be on my shoulders. So as long as I'm here, I'm going to do whatever I can to keep it alive.”
As individuals, the sisters have also achieved significant success. Ann sang on songs that were both chart successes and motion picture themes, like “Almost Paradise” from Footloose, “Best Man in the World” from The Golden Child, and “Surrender to Me” from Tequila Sunrise, while Nancy composed and performed the scores to a half dozen motion pictures including the award winning “Jerry Maguire” and “Almost Famous.”
Along the way, music by Ann and Nancy Wilson and their band Heart sold more than 35 million albums, sold out arenas worldwide, and found their way into the soundtrack of American life through radio, motion pictures, television, and associations with branded sponsors. Today, songs made famous by Heart are heard in every aspect of contemporary culture.
Nearly 35 years after their first big hit, Ann and Nancy Wilson were back in the Billboard Top 10 in 2010 with Heart’s “Red Velvet Car” album, and a Top 5 DVD (“Night at Sky Church”). 2012’s “Fanatic” continued Heart’s current chart success, spawning two hit singles (“Fanatic” and “Dear Old America”) and debuting in the Billboard Top 25. They also released a comprehensive CD box set entitled “Strange Euphoria,” filled with rarities and previously unreleased treasures that met with acclaim from critics and fans alike.
In September 2012, Ann and Nancy released their first-ever memoire (Kicking & Dreaming: A Story of Heart, Soul and Rock & Roll). The book spent several weeks on the New York Times “Best Sellers” chart and was released by HarperCollins on paperback on September 25, 2013.
2012 also brought well-deserved lifetime honors to the Wilson sisters. In June, they were awarded a star on the Hollywood Walk of Fame, and in December, they learned that, 36 years after the release of “Dreamboat Annie,” Heart had been inducted into the Rock & Roll Hall of Fame. The induction ceremony was held at Nokia Live in Los Angeles on April 18, 2013, and aired on HBO on May 18, 2013.
As a fitting finale for an extraordinary year, Ann and Nancy were asked to perform “Stairway to Heaven” as the finale to the 2012 Kennedy Center Honors tribute to Led Zeppelin. In addition to visibly moving Robert Plant, Jimmy Page, and John Paul Jones, their rendition brought the entire Kennedy Center audience to its feet.
In 2013, the Wilson sisters fulfilled a personal goal and created a special once-in-a-career holiday concert with special guests in their hometown of Seattle. Entitled “Heart & Friends: Home for the Holidays,” this special show featured guest performances by Shawn Colvin, Sammy Hagar, Richard Marx, and Pat Monahan. This special concert will be released on DVD/CD and Blu-ray on November 10, 2014, and will air on AXS-TV throughout December.
2014 was a fun year for Heart. Ann sat in with The Roots on the Tonight Show; Ann and Nancy sat in with the Foo Fighters on the Late Show with David Letterman. In May, Ann and Nancy celebrated ASCAP’s 100th birthday in Washington DC at a star-studded event at the Library of Congress attended by members of the joint houses of Congress. On November 7, Heart memorabilia and personal belongings are featured in the Julien’s Rock “N” Roll Icons & Idols auction. Later that month, Heart will appear alongside Stevie Wonder and many other great performers at the 83rd Annual Hollywood Christmas Parade. That show will air on Hallmark Channel and the Hallmark Movie Channel in December.
With his debut album Blak And Blu he has just become the first artist ever recognized by the Recording Academy with Grammy Award nominations in both the rock and R&B categories for the same album in the same year, winning the latter: Best Traditional R&B Performance” - “Please Come Home” (from the album Blak And Blu). And the day after claiming those honors he provided one of the highlights of the highlights-filled “The Night That Changed America: A Grammy Salute to the Beatles,” with sparks flying as he dueled with Joe Walsh on an incendiary “While My Guitar Gently Weeps,” Dave Grohl behind them pounding the drums.
But that barely scratches the surface. The album’s a rocket ride from the Mississippi Delta of a century ago to multiple points still out beyond the horizon. Rock and R&B sure, but blues, soul, pop, psychedelia, punk and hip-hop are also in Clark’s expansive musical embrace and insatiable hunger for inspiration, which he’s internalized into music all his own. And his two acoustic blues performances on the soundtrack album for the acclaimed movie 12 Years a Slave show the distinct talent and personality he brings to his music.
That, in turn, has been inspirational to others — including some who inspired him. Just ask Eric Clapton, the Rolling Stones, Paul McCartney, Jay-Z, Jimmy Page, Alicia Keys, the Roots, Buddy guy, Dave Matthews, Roger Waters, Keith Urban, Sheryl Crow, Jeff Beck, among the many who hailed his arrival as a major talent and cherished chances to perform with him. It’s no accident that he was invited to make more “special guest” appearances on the Stones’ recent 50th anniversary tour than any other artist, including the concluding Hyde Park blowout in which he and band also were the opening act.
Or ask President Barak Obama himself, who seeing Clark command the stage of the PBS White House concert honoring the blues — with Jagger, Beck, B.B. King and Buddy Guy among the veterans performing — declared of the young man, “He’s the future.”
Rolling Stone dubbed Clark “The King of the Summer Festivals” as he captivated audiences from Coachella to Glastonbury, Lollapalooza to the New Orleans Jazz & Heritage Festival, from Metallica’s Orion Festival to Jay-Z’s Made in America, and of course his hometown Austin City Limits Festival, where he his band set a daytime attendance record. He’s dominated late night and daytime TV with multiple appearances on Leno, Letterman, Kimmel, Conan, Fallon, Arsenio Hall, Queen Latifah, Today, CBS This Morning and so on. Guitar Player magazine made him the first emerging artist to grace its cover in more than 15 years. Rolling Stone proclaimed him no less than “The Chosen One.”
It’s a lot to live up to, but through it all his musical ambition and reach continue to grow. New songs he’s previewed to delighted audiences show him exploring ever further combinations of sounds and styles, all with his distinct stamp.
A man of few words, he’s quietly grateful that the music he makes his way has connected with so many. “To think a weird idea I noodled on at the house has gone to something 40,000 people might hear at a festival is an indescribable feeling,” he told Esquire recently. “As cool as I might try to be, I think, ‘Oh my God, this is real!’”
As a producer, she has overseen albums by Bikini Kill, Circus Lupus, as well as the Germs' LA punk masterpiece, GI.
Her music has become a permanent force in mainstream culture. A version of "I Hate Myself for Loving You" has been NBC's Sunday Night Football, performed this past season by Carrie Underwood, and her music is heard in countless films and TV shows including Easy – A, Kick Ass, The Runaways, Shrek, Baby Mama, and many more.
Since co-founding the Runaways, the pioneering all-girl punk quintet, at age 15, Jett's determination and drive have kept her in the public eye. Jett was able to see her story told in The Runaways, the film based on (lead singer of The Runaways) Cherie Currie's book Neon Angel starring Kristen Stewart as Jett, and her fellow A-lister Dakota Fanning as Currie. Jett was close to the project: She served as an executive producer.
Jett and the Blackhearts continuously tour across the globe to throngs of adoring fans.
Joan Jett has spent her lifetime breaking barriers and challenging expectations - this is, after all, a woman who is both a spokesperson for PETA and a devoted supporter of the US Military. She's fought hard for all of her historic accomplishments, yet she remains humble and appreciative.
"I've had a blessed career," she says. "I consider myself so lucky to have been able to do things my own way."
episodes of HBO's "Treme," and has recently appeared on "The Tonight Show with Jay Leno, Jimmy Kimmel Live," "Late Night with Jimmy Fallon" and "Conan." In 2012, he performed at the White House in honor of Black History Month with music royalty such as B.B. King, Mick Jagger, Jeff Beck and Booker T. Jones. At this year's Grammy Awards, he performed alongside Madonna, Macklemore & Ryan Lewis, and Mary Lambert. In 2012, he received the President's Medal from Tulane University in recognition of his charitable work with the Trombone Shorty Foundation. In collaboration with New Orleans Mayor Mitch Landrieu, the Trombone Shorty Foundation donates quality instruments to schools across New Orleans.
Comprised of three members who identify as Red, Gold, and Green, RDGLDGRN began making music in their basement studio, drawing from a vast and almost ironically diverse pool of influences like Chuck Brown, Vampire Weekend, Outkast, The Neptunes, and Bad Brains. What many might consider a wildly ambitious, even impossible task to pull off, RDGLDGRN managed to effortlessly combine genres of music to create something new, something all their own, and something that has the music industry buzzing with excitement.
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